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	<title>Terry Phillips blog</title>
	<link>http://skillsinenglish.com/terry</link>
	<description>Change this text in options -&#62; general</description>
	<pubDate>Sun, 11 Nov 2007 16:29:12 +0000</pubDate>
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		<title>Clusters in Arabic</title>
		<link>http://skillsinenglish.com/terry/?p=12</link>
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		<pubDate>Sun, 11 Nov 2007 16:24:28 +0000</pubDate>
		<dc:creator>Terry</dc:creator>
		
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		<description><![CDATA[I have gone on record in the Language and Culture notes for the Arabic edition of Skills in English teacher&#8217;s book as saying that Arabic has few clusters.  I am indebted to H Ibraheem who works in Al Ain in the UAE for the following information about clusters in Arabic.
&#160;
 In Arabic there is [...]]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal" dir="rtl" style="text-align: justify; line-height: normal; direction: rtl; unicode-bidi: embed" align="left"><span dir="ltr" style="font-size: 12pt; font-family: 'Times New Roman','serif'; color: #4d4d4d">I have gone on record in the Language and Culture notes for the Arabic edition of Skills in English teacher&#8217;s book as saying that Arabic has few clusters.  I am indebted to H Ibraheem who works in Al Ain in the UAE for the following information about clusters in Arabic.</span></p>
<p align="left">&nbsp;</p>
<p class="MsoNormal" dir="rtl" style="text-align: justify; line-height: normal; direction: rtl; unicode-bidi: embed" align="left"><span dir="ltr" style="font-size: 12pt; font-family: 'Times New Roman','serif'; color: #4d4d4d"> In Arabic there is what we call ( sukoun) It is written as a little circle on top of letters. It simply means no vowel sound so once the consonant has this ( sukoun ) the following consonant is pronounced just after it without adding any vowel sound between them.  She provides excellent examples but I&#8217;m afraid this blog system does not seem to allow me to add the tables.<br />
</span></p>
<p align="right">&nbsp;</p>
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		<title>Doubled letters - any rules?</title>
		<link>http://skillsinenglish.com/terry/?p=11</link>
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		<pubDate>Wed, 07 Nov 2007 14:28:22 +0000</pubDate>
		<dc:creator>Terry</dc:creator>
		
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		<description><![CDATA[I&#8217;m trying to find out if there are any productive rules for the appearance of doubled letters in words.  Obviously, double e represents the sound /i:/ and double o often represents the sound /u:/.  And we all know about doubling of consonants with suffixes when we have CVC at the end of the [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;m trying to find out if there are any productive rules for the appearance of doubled letters in words.  Obviously, double e represents the sound /i:/ and double o often represents the sound /u:/.  And we all know about doubling of consonants with suffixes when we have CVC at the end of the root word. But what about doubling elsewhere? There seems to be a relationship in many cases between doubling and stress.  The doubling appears at the end of the stressed syllable, for example, in words like &#8216;<em>fallacy, in&#8217;telligent, ad&#8217;mittance, a&#8217;ccommodate, un&#8217;missable </em>but what about <em>&#8216;balance,  &#8216;telephone,</em>  <em>di&#8217;minish  etc. </em>Why no doubling here?  Presumably, &#8216;<em>telephone</em> is because the root of part of the word is <em>tele</em> not <em>telle</em>.  So is root more important than sound?</p>
<p>Any ideas anyone?</p>
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		<title>Salience in spoken language</title>
		<link>http://skillsinenglish.com/terry/?p=10</link>
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		<pubDate>Fri, 02 Nov 2007 09:15:09 +0000</pubDate>
		<dc:creator>Terry</dc:creator>
		
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		<description><![CDATA[Here&#8217;s another interesting piece of research, reported by Steve Tauroza.
&#8220;The instability of word-final consonants in spoken English is regarded as a potential problem for second language (L2) listeners. However, research on first language listening comprehension raises doubts as to whether the sounds at the ends of words are important in the word recognition process. An [...]]]></description>
			<content:encoded><![CDATA[<p>Here&#8217;s another interesting piece of research, reported by Steve Tauroza.</p>
<p>&#8220;The instability of word-final consonants in spoken English is<sup> </sup>regarded as a potential problem for second language (L2) listeners.<sup> </sup>However, research on first language listening comprehension<sup> </sup>raises doubts as to whether the sounds at the ends of words<sup> </sup>are important in the word recognition process. An experiment<sup> </sup>was conducted to check whether the degree to which word-final<sup> </sup>consonants are realized affects word recognition. It was found<sup> </sup>that there was no significant difference in the subjects&#8217; success<sup> </sup>in recognizing words, regardless of whether the words&#8217; final<sup> </sup>consonants were fully realized or not. The finding indicates<sup> </sup>that exercises which focus EFL learners&#8217; attention on sounds<sup> </sup>at the ends of words make the learners practise a strategy that<sup> </sup>neither they nor L1 listeners would normally use.&#8221;</p>
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		<title>Student access to websites</title>
		<link>http://skillsinenglish.com/terry/?p=9</link>
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		<pubDate>Fri, 02 Nov 2007 09:07:19 +0000</pubDate>
		<dc:creator>Terry</dc:creator>
		
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		<description><![CDATA[Someone has written to me to say that students are accessing the materials on the site. Students certainly should NOT have access to the site at the moment - I can only imagine someone has been foolish enough to give out the log in details in class.  If anyone else has this problem, can you [...]]]></description>
			<content:encoded><![CDATA[<p>Someone has written to me to say that students are accessing the materials on the site. Students certainly should NOT have access to the site at the moment - I can only imagine someone has been foolish enough to give out the log in details in class.  If anyone else has this problem, can you tell me where you are teaching so I can look into it further.<br />
In the meantime, there is obviously something you can do personally about the problem.  Explain to your students that you are <em>teaching </em>them not <em>testing </em>them.  If they download materials with answers, they <em>will not learn</em> anything.  They will not even fool you, because you will know that they have seen the answers already.</p>
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		<title>Salience in spoken language</title>
		<link>http://skillsinenglish.com/terry/?p=8</link>
		<comments>http://skillsinenglish.com/terry/?p=8#comments</comments>
		<pubDate>Thu, 01 Nov 2007 15:45:50 +0000</pubDate>
		<dc:creator>Terry</dc:creator>
		
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		<description><![CDATA[As any one who has been to recent lectures of mine knows, I have been going on for quite a long time now about the differences between salience in written language and salience in spoken language.  By salience I mean how observable something is.  I have now been sent, by Dennis Delany from [...]]]></description>
			<content:encoded><![CDATA[<p>As any one who has been to recent lectures of mine knows, I have been going on for quite a long time now about the differences between salience in written language and salience in spoken language.  By salience I mean how observable something is.  I have now been sent, by Dennis Delany from Excel College, a superb article by someone called Steve Tauroza who is or was Senior Lecturer in the Department of English of the City Polytechnic of Hong Kong and clearly something of an expert on salience in spoken language.  The article concerned is entitled &#8216;Recognizing the Negative Particle in Speech: Problems and Implications&#8217; and he makes the point which I have developed in my lectures, that negative particles are often not heard, with, of course, potentially disastrous results - &#8216;The yellow wire must(n&#8217;t) touch the red wire.&#8217;  Mr Tauroza goes on to make two other extremely important points.  Firstly, he says that teachers often don&#8217;t think there is any problem in perceiving the negative particle (after all, it is easy to <strong>see</strong> in written language - my idea, not his) . Secondly, he says that non-perception of a negative early in a text may lead to listeners constructing a false scenario and then finding it difficult to fit later information into it.</p>
<p>My solution to this issue is NOT trying to enable students to perceive the negative particle - this is futile.  Rather, we should focus on showing students what other features appear in  a negative sentence.  Some examples:</p>
<p>With &#8216;<em>can&#8217;t</em>&#8216; the vowel is longer (at least in British English!)</p>
<p>With &#8216;<em>wouldn&#8217;t</em>&#8216;, you only hear &#8216;would&#8217; if the sentence is negative; otherwise it&#8217;s generally elided to &#8216;d&#8217;</p>
<p>With negatives of irregular past tense verbs, you only hear the infinitive if the verb is negative. (This is useful because, in real life, we normally know that a person is talking about the past before we are called upon to determine whether a verb is positive or negative.</p>
<p>There are other markers of the presence of the negative as well, including:</p>
<p><em>at all</em> - I don&#8217;t go there at all</p>
<p><em>but</em> to show that the coming information contrasts - I went there but I didn&#8217;t see him</p>
<p><em>even - </em>You mustn&#8217;t even move.</p>
<p>The point is - let&#8217;s teach students to recognise the features of negation <strong>other than</strong> the negative particle and then they should be able to infer the presence of the particle even if they can&#8217;t hear it.</p>
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		<title>Stress</title>
		<link>http://skillsinenglish.com/terry/?p=7</link>
		<comments>http://skillsinenglish.com/terry/?p=7#comments</comments>
		<pubDate>Sun, 28 Oct 2007 11:38:40 +0000</pubDate>
		<dc:creator>Terry</dc:creator>
		
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		<description><![CDATA[In response to Abdulkareem, I think there are, in fact, quite a few productive patterns if not rules relating to phonology which most language teachers don&#8217;t know.  Because there are so many exceptions, I think there has been a tendency to say &#8216;English is a stupid language&#8217; and leave it at that. But that doesn&#8217;t [...]]]></description>
			<content:encoded><![CDATA[<p>In response to Abdulkareem, I think there are, in fact, quite a few productive patterns if not rules relating to phonology which most language teachers don&#8217;t know.  Because there are so many exceptions, I think there has been a tendency to say &#8216;English is a stupid language&#8217; and leave it at that. But that doesn&#8217;t help the student to be an independent learner.  I will start posting things I&#8217;ve discovered as an occasional series on this site.</p>
<p>With regard to access to the site, anyone who is actually using the books can have access to parts of the site.  Send me an email - terry@wtcinelt.com - with details of the levels and skills you are teaching and some information about where - for our marketing department, and I will arrange for a log in to be set up for you.</p>
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		<title>Stress in multi-word noun phrases</title>
		<link>http://skillsinenglish.com/terry/?p=5</link>
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		<pubDate>Wed, 17 Oct 2007 11:22:20 +0000</pubDate>
		<dc:creator>Terry</dc:creator>
		
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		<description><![CDATA[I have been struggling with the rules for stress in noun phrases. I don’t know how I failed to learn this at some previous time but I did.
It’s obviously extremely valuable to be able to give rules but are there any which are sufficiently productive to be useful?  
This is my thinking at the [...]]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal"><span style="font-size: 14pt">I have been struggling with the rules for stress in noun phrases. I don’t know how I failed to learn this at some previous time but I did.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 14pt">It’s obviously extremely valuable to be able to give rules but are there any which are sufficiently productive to be useful?<span>  </span><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 14pt">This is my thinking at the moment:<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 14pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size: 14pt">NOUN NOUN compounds have primary stress on the <strong>first noun</strong>.<o:p></o:p></span></p>
<p class="MsoNormal"><strong><span style="font-size: 14pt">Examples:</span></strong><span style="font-size: 14pt"> <em>‘oil rig, ‘coal mine; su’pport system; ‘car factory</em><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 14pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size: 14pt">ADJECTIVE NOUN phrases have primary stress on the <strong>noun</strong>.<o:p></o:p></span></p>
<p class="MsoNormal"><strong><span style="font-size: 14pt">Examples: </span></strong><em><span style="font-size: 14pt">global ‘warming; educational a’chievement; tall ‘person<o:p></o:p></span></em></p>
<p class="MsoNormal"><span style="font-size: 14pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size: 14pt">Even when you add more words before these root phrases, the primary stress obeys these rules. Thus:<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 14pt">NOUN / ADJECTIVE + NOUN NOUN will have the stress on the <strong>first noun of the noun noun compound:</strong><o:p></o:p></span></p>
<p class="MsoNormal"><strong><span style="font-size: 14pt">Examples:</span></strong><span style="font-size: 14pt"> <em>North Sea ‘oil rig; ancient ‘coal mine; Honda ‘car factory<o:p></o:p></em></span></p>
<p class="MsoNormal"><span style="font-size: 14pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size: 14pt">NOUN/ADJECTIVE + ADJECTIVE NOUN will have the stress on the <strong>noun.<o:p></o:p></strong></span></p>
<p class="MsoNormal"><strong><span style="font-size: 14pt">Examples: </span></strong><em><span style="font-size: 14pt">reduced global ‘warming;</span></em><strong><span style="font-size: 14pt"> </span></strong><em><span style="font-size: 14pt">graduate educational a’chievement; exceptionally tall ‘person<o:p></o:p></span></em></p>
<p class="MsoNormal"><em><span style="font-size: 14pt"><o:p> </o:p></span></em></p>
<p class="MsoNormal"><span style="font-size: 14pt">Do these ‘rules’ seem right? I can think of a few exceptions immediately, like <em>car ‘door.<span>  </span></em>Is this because we sometimes think of the noun as an adjective?<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 14pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size: 14pt">Of course, all these stress ‘rules’ apply to the neutral or unmarked phrase.<span>  </span>If I want to talk about my black cat, I will say <em>I have a black ‘cat</em>. but to distinguish one of two cats I can say, <em>Look at the ‘black cat. <o:p></o:p></em></span></p>
<p class="MsoNormal"><span style="font-size: 14pt">Also the University Grammar of English gives a nice example, contrasting ‘<em>toy factory</em> = a factory making toys and <em>toy ‘factory</em> = a toy which is a factory.<o:p></o:p></span></p>
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		<title>Teachers are good at teaching</title>
		<link>http://skillsinenglish.com/terry/?p=4</link>
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		<pubDate>Tue, 16 Oct 2007 09:44:18 +0000</pubDate>
		<dc:creator>Terry</dc:creator>
		
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		<description><![CDATA[I have just read another article from the anti-coursebook lobby, about getting teachers to be syllabus designers, researchers course writers, test writers&#8230; I will never understand this approach, which manages to overwork and undervalue teachers at the same time. Teachers teach - that’s what they do. Good teachers bring material to life in the classroom, [...]]]></description>
			<content:encoded><![CDATA[<p>I have just read another article from the anti-coursebook lobby, about getting teachers to be syllabus designers, researchers course writers, test writers&#8230; I will never understand this approach, which manages to overwork and undervalue teachers at the same time. Teachers teach - that’s what they do. Good teachers bring material to life in the classroom, motivate students, work out the interlanguage of each student and supply the necessary information to move them on to the next level. This is a vital job and syllabus designers, course writers etc would be nowhere without them. Sometimes they move on to be syllabus designers, course writers, test writers. But these are different professions. It’s like saying to an actor - you know about acting so why don’t you write the play, do the stage management and write the critical review as well. End of rant.</p>
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		<title>Becoming a blogger</title>
		<link>http://skillsinenglish.com/terry/?p=3</link>
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		<pubDate>Tue, 16 Oct 2007 08:02:19 +0000</pubDate>
		<dc:creator>Terry</dc:creator>
		
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		<description><![CDATA[It&#8217;s good to see that there have already been some comments so I am not just shouting in an empty room!  The problem is, at the moment, I&#8217;m not sure what one says on a blog.  I certainly don&#8217;t want to write things like: &#8216;Just going to have a cup of coffee&#8217; - [...]]]></description>
			<content:encoded><![CDATA[<p>It&#8217;s good to see that there have already been some comments so I am not just shouting in an empty room!  The problem is, at the moment, I&#8217;m not sure what one says on a blog.  I certainly don&#8217;t want to write things like: &#8216;Just going to have a cup of coffee&#8217; - although I am, as a matter of fact.  I guess like any writing work, it is the blank page which terrifies.  Once you begin to fill it, the task does not seem so daunting.</p>
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		<title>Hello world!</title>
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		<pubDate>Thu, 11 Oct 2007 15:31:48 +0000</pubDate>
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		<description><![CDATA[Hi.  This is my first blog, but, presumably, in years to come, I will wonder how I ever lived without it.
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			<content:encoded><![CDATA[<p>Hi.  This is my first blog, but, presumably, in years to come, I will wonder how I ever lived without it.</p>
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